Saturday, January 17, 2009

The Art of Cookery in the Middle Ages or Making Sense of Wine

The Art of Cookery in the Middle Ages

Author: Terence Scully

The master cook who worked in the noble kitchens of the fourteenth and fifteenth centuries had to be both practical and knowledgeable. His apprenticeship acquainted him with a range of culinary skills and a wide repertoire of seasonal dishes, but he was also required to understand the inherent qualities of the foodstuffs he handled, as determined by contemporary medical theories, and to know the lean-day strictures of the Church. Research in original manuscript sources makes this a fascinating and authoritative study where little hard fact had previously existed.



Table of Contents:
1Introduction1
2Similarities in Medieval Foods and Cooking28
3The Theoretical Bases for Medieval Food and Cookery40
4The Distinctive Nature of Medieval Foods and Cookery66
5Medieval Dining101
6Beverages137
7The Hall, Table and Manners166
8Foods for the Sick185
9International Foods and Regional Favourites196
10Conclusion: The Cook, the Cookery and the Food236
Bibliography257
Late-medieval culinary recipe collections257
Late-medieval medical and scientific works referring to food preparation260
Modern adaptations of Medieval recipes263
Index265

New interesting textbook: Just Another Soldier or The Trial of Donald Rumsfeld

Making Sense of Wine

Author: Matt Kramer

This new edition of Matt Kramer's classic guide to wine features a new preface and an all-new chapter that covers changes and advances in winemaking since first publication in 1989. The superbly written text explains everything an oenophile needs to know, including the creation and naming of wines, wine cellars, presentation and glassware, pairing wine with food, and much more. Kramer explores connoisseurship through the practical devices of "thinking wine" and "drinking wine," making for a most enjoyable and engrossing journey through one of life's most dependable pleasures.

Sacramento Bee

...Kramer remains as pleasurable to read as ever.

Publishers Weekly

Recommend Kramer's book to cherished adult ``children'' who refuse to be weaned from the beer bottle--this book may do the trick of transforming wine drinking into a familiar pleasure. While much wine writing verges on pedantry, columnist Kramer brings a disciplined reporter's ear to his job, along with wit and intelligence to spare. A relatively recent convert to wine, the author remembers how intimidating the drink can be, and seeks to tame it by solving the mysteries of its history, customs and manners. Why, for example, are many corks branded with their vineyard's name and year? As a precaution and tool for identification, lest the bottle label deteriorate in a damp cellar, and the cook or host need to verify the contents. Kramer is also not afraid to say, in his blunt style, that the overly technical language often used to explain how champagne comes by its bubbles is ``gobbledegook.'' And because he asserts that wine is meant to be imbibed with food--``without the context of food, wine is a eunuch''--his final chapter includes recipes for such delicacies as blanc-manger and butternut squash soup. (Sept.)

Library Journal

The author, a widely published food and wine writer, discusses the fundamentals of wine, as well as its fine points, from a perspective that combines common sense with scientific fact. Topics such as wine storage, service, and matching wine with food are dealt with in a no-nonsense fashion. Perhaps more interesting is the opening discussion of connoisseurship and the social dimension of wine. Some recipes are offered in the section on wine with food. The point of view taken is refreshingly free of dogma. This is recommended reading for those interested in wine and is a useful supplement to such standards as Andre Simon's Wines of the World , edited by Serena Sutcliffe (McGraw-Hill, 1981. 2d. ed.).-- Bruce Hulse, Vanguard Technologies Corp., Washington, D.C.



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